Rob, Rambling - A lot of things interest me...

Fact: Infinite Jest would be less of a bitch to read if DFW used footnotes instead of endnotes.

mar-see-ah

I’m a month into Infinite Jest now, and about halfway through. It was a bit of a slog at first, especially the constant flicking to endnotes, but after I started using a bookmark for that section of the book it made things a whole lot easier.

I sort of understand why he uses endnotes, but sometimes it’s ridiculously annoying to flick forward and discover a 3-word note. At other times, however, I love the massive asides and disconnects to the main text, especially when it gives you a much better view of the near-future in which the book is set. I’m thinking specifically of Hal and Orin’s phone conversation about the history of Quebecois separatism, for example.

The writing in the rest of the book is still magnificent. The lengthy passage detailing Gately’s thoughts on AA meetings is simply stunning, weaving tales of unbelievable substance-abuse lows with Gately’s experiences of being sober.

I remember reading Haunted by Chuck Palahniuk a few years back, and in the endnotes he tells how at live readings of one of the short stories therein (‘Guts’, if memory serves) people used to faint because it was so horrifying. To my mind, that story wasn’t so bad, but there’s one passage in Infinite Jest which is a lot worse.

This won’t spoil anything, but those who have read the book will remember the passage I’m talking about: it’s one of the attendees at the AA meeting telling how she had a stillborn baby because of doing a shitload of drugs during the pregnancy, but still carrying it round with her for months afterwards.

That was a truly fucked up story, but the writing was paced so well that you couldn’t just fly through it. You were forced to read it and absorb the horror.

And I think that’s the enjoyment factor of the book as a whole: you can’t skim it, you can’t read it quickly. It demands attention and focus, which the use of endnotes actually increases.

Now, only another 500 pages to go…


Reblogged from: mar-see-ah
Originally posted on: Marcia is Amused.

Selected winners of the Bookseller/Diagram Prize for Oddest Title of the Year, awarded annually by Bookseller magazine to the book published that year with the strangest title:

  • The Joy of Chickens (1980)

  • Versailles: The View From Sweden (1988)

  • How to Avoid Huge Ships (1992)

  • Bombproof Your Horse (2004)

Of these, I think “How to Avoid Huge Ships” is my favourite, and my vote for this year’s prize is “Afterthoughts of a Worm Hunter”.

More at the Wikipedia page.

On books, and reading.

  • The girlfriend: Woo hoo! I have just discovered another series of trashy novels to get into
  • Me: Which ones?
  • The girlfriend: They are about an author called Diana Gabaldan
  • The girlfriend: The kind of book you would hate :)
  • Me: Why's that?
  • The girlfriend: Because you only seem to read intense literary stuff
  • The girlfriend: Whereas I'll take a good old yarn and I love my trash as much as the literary stuff
  • Me: I don't read JUST literary stuff
  • The girlfriend: I know
  • Me: But I do quite like it!
  • The girlfriend: You like your books quite dark and full on
  • Me: Yeah, I guess I like to see the darker side of life when I read
  • Me: The things I don't do: murder, drugs, violence, etc
  • The girlfriend: Whereas I am an utter escapist
  • The girlfriend: The more unrealistic the better
  • Me: I like hyper-real settings with fucked up people in them, as a rule
  • Me: Somewhere I can identify with, but people that I can't

I started reading Infinite Jest by David Foster Wallace last week, and am hooked. Yes, it’s daunting to look at (1,000+ pages, and the best part of another 100 pages of endnotes), and I’ve been warned (via InfiniteSummer.org that the language gets pretty dense in places too, but it really is some fantastic writing.

I’m about 170ish pages in, just about keeping track of the huge numbers of characters, and falling in love with the many different writing styles that Wallace employs. My edition contains a foreword by Dave Eggers in which he says that across the whole book there isn’t a single wasted word or sentence, and he’s right.

The passage I read yesterday is probably my favourite so far, a 10-page stream of consciousness as Hal’s grandfather tells Hal’s father (who is still a boy in this flashback) why he could grow up to be the world’s greatest tennis player, whilst trying to provide some life advice and also drinking a hip flask full of whiskey.

It’s utterly, utterly brilliant; poetic in a way that I can’t even begin to describe, and drags you completely into the scene. 10 pages go by in flash, but I get the feeling that this passage is going to be important later in the book, as it provides some kind of insight to the whole pushy parents theme.

I can’t wait to see what the next 800 pages are going to bring.

Columbine, by Dave Cullen, is the defining narrative of what happened on April 20, 1999 in that school, the events leading up to it, and the aftermath. It is stunning in what it achieves, both in terms of the detail in which it delves into the events and the people, and in terms of the thoroughness of the research.

Cullen starts with a second-by-second, shot-by-shot walkthrough of the day itself, then jumps back and forwards in time to show how the killers developed their plan (and there was a plan), and then the police investigated the massacre.

Relying on the huge volume of documentation amassed by the police investigation, extensive interviews with the survivors, investigators and just about anyone connected with the shooting, and most dramatically using Harris and Klebold’s own words from their journals and videos, Cullen is able to reconstruct the entire sequence of events.

He does so in a clinical, unemotional way, but not so distant from the subject as to appear cold and disconnected. Indeed, it’s pretty easy to spot which people he feels the most sympathy for, usually those he has interviewed over and over again in the decade since the shooting. Sometimes he gets a bit too close to these people, and I couldn’t help but feel that they were given a touch too sentimental a going-over, but that’s a minor gripe.

Perhaps the most important part of the book is the debunking of the most commonly held myths surrounding Columbine, and particularly the killers’ motives. They weren’t Nazi-sympathisers, they weren’t outcasts, they weren’t bullied, they weren’t Jock-haters, they weren’t gay, they weren’t part of ‘The Trenchcoat Mafia’, they weren’t Marilyn Manson fans, and they weren’t warped by violent films and video games.

Cullen perhaps lets his mask slip a little when calling out the media for jumping to such conclusions and repeating them ad infinitum until we can no longer think of Columbine without the above mistruths clouding our judgement. He explains why this occurred, but criticises the media for failing to correct themselves as quickly as they spread the rumours.

There was no single cause, nothing on which to hang blame for the massacre, other than the killers themselves. Harris and Klebold, particularly Harris, were fucked up. For want of a better way of describing it, they were born evil. Harris was probably a psychopath, in the clinical sense, and Klebold’s depression manifested itself in fits of rage.

Cullen strains to make the point that the parents aren’t to blame, and nor is anything else. He fully subscribes to the idea that some people are mentally ill in this manner, and some of those people act on their psychopathic impulses with horrifying results.

And the horrors at Columbine could’ve been worse. A lot worse.

I was completely unaware that the entire plan was to blow up the school, and everyone inside it. The guns were to shoot those fleeing the burning building. There were even extra bombs timed to go off in the car park when the police and media arrived.

It was only through the (relative) ineptitude of Harris and Klebold’s bomb-making skills that no more than the 13 died. The plan was to make McVeigh’s exploits look mild in comparison.

And the killing was designed to be indiscriminate. Harris just wanted to kill humans, no matter who they were. They didn’t target jocks, the religious or anyone else. They only targeted everyone.

As Cullen points out, “of course, Eric would enjoy killing jocks, too, along with niggers, spics, fags, and every other group he railed against.” This is probably the most disturbing aspect of the book, that someone can wish death upon every single other person on the planet.

The investigators and the media wanted to leap upon a why for the massacre, but for many years this couldn’t be provided. So many other theories were put forward, as listed above. Maybe the fact that it was indiscriminate killing was too horrifying a theory to put in print, to put into the public consciousness.

Because if it’s indiscriminate, how can we protect against it? That’s a real fear for many people.

I think we forget just how much this event, this massacre, changed society. Yes, something like 9/11 changed air travel and international relations forever, but Columbine created a complete distrust of the younger generation, which has yet to fade. Parents and the elder generation actively fear the young, the teenagers, nowadays.

But if this book does nothing else, it says that you can’t fear a generation, no more than you can fear a race, a kinsfolk, a religion. Certain people are just fucked up, and as much as we try to help them, or to protect against their impact, we can’t do so 100%.

The survivors whose stories are detailed in this book are its saving grace, in terms of a positive message. Almost every single one has grown beyond the effects of the shooting, and not it let define their lives. It brings a tear to your eye to read passages describing someone learning to talk, to walk, to feel again, but they do it.

They do it because they must, because they won’t let the actions of a mad-man dictate their lives for them.

Some do fall into the trap of letting it rule them. One father who lost his son has become a relentless campaigner for not forgiving, for not forgetting, and for pretty much seeking vengeance. His story is sad, to be honest, because he’s lost some of his humanity.

I can’t begin to fully describe the detail that this book goes into, as it is exhaustive. Journals are laid bare, videos are transcribed, police reports are pored over. I doubt that any line in the book hasn’t been fact-checked a hundred times over, and it’s this level of research that gives it its authority.

This is how every single-subject book should be: scholarly, yet journalistic. Detached, yet so vivid in its descriptions and eye for detail that you’re practically inside the heads of each person on the page.

It’s beautiful, but horrifying.

Columbine, by Dave Cullen, is the defining narrative of what happened on April 20, 1999 in that school, the events leading up to it, and the aftermath. It is stunning in what it achieves, both in terms of the detail in which it delves into the events and the people, and in terms of the thoroughness of the research.

Cullen starts with a second-by-second, shot-by-shot walkthrough of the day itself, then jumps back and forwards in time to show how the killers developed their plan (and there was a plan), and then the police investigated the massacre.

Relying on the huge volume of documentation amassed by the police investigation, extensive interviews with the survivors, investigators and just about anyone connected with the shooting, and most dramatically using Harris and Klebold’s own words from their journals and videos, Cullen is able to reconstruct the entire sequence of events.

He does so in a clinical, unemotional way, but not so distant from the subject as to appear cold and disconnected. Indeed, it’s pretty easy to spot which people he feels the most sympathy for, usually those he has interviewed over and over again in the decade since the shooting. Sometimes he gets a bit too close to these people, and I couldn’t help but feel that they were given a touch too sentimental a going-over, but that’s a minor gripe.

Perhaps the most important part of the book is the debunking of the most commonly held myths surrounding Columbine, and particularly the killers’ motives. They weren’t Nazi-sympathisers, they weren’t outcasts, they weren’t bullied, they weren’t Jock-haters, they weren’t gay, they weren’t part of ‘The Trenchcoat Mafia’, they weren’t Marilyn Manson fans, and they weren’t warped by violent films and video games.

Cullen perhaps lets his mask slip a little when calling out the media for jumping to such conclusions and repeating them ad infinitum until we can no longer think of Columbine without the above mistruths clouding our judgement. He explains why this occurred, but criticises the media for failing to correct themselves as quickly as they spread the rumours.

There was no single cause, nothing on which to hang blame for the massacre, other than the killers themselves. Harris and Klebold, particularly Harris, were fucked up. For want of a better way of describing it, they were born evil. Harris was probably a psychopath, in the clinical sense, and Klebold’s depression manifested itself in fits of rage.

Cullen strains to make the point that the parents aren’t to blame, and nor is anything else. He fully subscribes to the idea that some people are mentally ill in this manner, and some of those people act on their psychopathic impulses with horrifying results.

And the horrors at Columbine could’ve been worse. A lot worse.

I was completely unaware that the entire plan was to blow up the school, and everyone inside it. The guns were to shoot those fleeing the burning building. There were even extra bombs timed to go off in the car park when the police and media arrived.

It was only through the (relative) ineptitude of Harris and Klebold’s bomb-making skills that no more than the 13 died. The plan was to make McVeigh’s exploits look mild in comparison.

And the killing was designed to be indiscriminate. Harris just wanted to kill humans, no matter who they were. They didn’t target jocks, the religious or anyone else. They only targeted everyone.

As Cullen points out, “of course, Eric would enjoy killing jocks, too, along with niggers, spics, fags, and every other group he railed against.” This is probably the most disturbing aspect of the book, that someone can wish death upon every single other person on the planet.

The investigators and the media wanted to leap upon a why for the massacre, but for many years this couldn’t be provided. So many other theories were put forward, as listed above. Maybe the fact that it was indiscriminate killing was too horrifying a theory to put in print, to put into the public consciousness.

Because if it’s indiscriminate, how can we protect against it? That’s a real fear for many people.

I think we forget just how much this event, this massacre, changed society. Yes, something like 9/11 changed air travel and international relations forever, but Columbine created a complete distrust of the younger generation, which has yet to fade. Parents and the elder generation actively fear the young, the teenagers, nowadays.

But if this book does nothing else, it says that you can’t fear a generation, no more than you can fear a race, a kinsfolk, a religion. Certain people are just fucked up, and as much as we try to help them, or to protect against their impact, we can’t do so 100%.

The survivors whose stories are detailed in this book are its saving grace, in terms of a positive message. Almost every single one has grown beyond the effects of the shooting, and not it let define their lives. It brings a tear to your eye to read passages describing someone learning to talk, to walk, to feel again, but they do it.

They do it because they must, because they won’t let the actions of a mad-man dictate their lives for them.

Some do fall into the trap of letting it rule them. One father who lost his son has become a relentless campaigner for not forgiving, for not forgetting, and for pretty much seeking vengeance. His story is sad, to be honest, because he’s lost some of his humanity.

I can’t begin to fully describe the detail that this book goes into, as it is exhaustive. Journals are laid bare, videos are transcribed, police reports are pored over. I doubt that any line in the book hasn’t been fact-checked a hundred times over, and it’s this level of research that gives it its authority.

This is how every single-subject book should be: scholarly, yet journalistic. Detached, yet so vivid in its descriptions and eye for detail that you’re practically inside the heads of each person on the page.

It’s beautiful, but horrifying.

There are times when I realise just how anal I can be in making sure that everything is 100% correct and in order. I’ve just added myself to GoodReads, and have spent the last half hour making sure that each of the books I imported from my LibraryThing account have exactly the right cover on them.

I can’t just go with the default one that GoodReads pulls from Amazon or wherever. Nope, I’ve got to delve into the book’s entry and find the correct cover for the edition I have. And when it’s something like Anna Karenina with eleventy billion different versions, it takes some time to get the right one.

Anyways, it’s complete now, so feel free to add me if you’re on either GoodReads or LibraryThing. I have to say that I prefer LibraryThing right now, but GoodReads seems to be the more popular site for the time being.

Whilst out doing my Christmas shopping this Saturday, I wandered into the Books Etc shop in the middle of Wimbledon, which was having a Closing Down sale. The shelves were already pretty bare, and the place was just a mess. Books everywhere, no semblance of order, and a completely random selection wherever you looked.

I noticed this book sitting on top of one of the boxes, and it seemed pretty apt for the setting.

Books Etc was a seller of new books, not second-hand, but at this stage in its retail life it looked like one of those shops where only the owner knows where to find a particular book. Of course, here there was just one bored till worker and no-one else around.

I walked past the shop again last night, and it was completely empty. The lights were off, the shelves were empty, and the doors were closed. Another victim of the recession, of the internet, of Amazon?

I’m a massive fan of Amazon (and its ilk), because I buy a lot of books and I like to do so as cheaply as I can. As much as I enjoy going to a bookshop and aimlessly browsing, I find that Amazon’s recommendation engine is a much better way of finding new authors and new books than randomly looking through shelves.

The only time I really use a bookshop is when they have 3 for 2 offers on. And if I paid more attention to the special offers section on Amazon, I’d probably not even do that…

Whilst out doing my Christmas shopping this Saturday, I wandered into the Books Etc shop in the middle of Wimbledon, which was having a Closing Down sale. The shelves were already pretty bare, and the place was just a mess. Books everywhere, no semblance of order, and a completely random selection wherever you looked.

I noticed this book sitting on top of one of the boxes, and it seemed pretty apt for the setting.

Books Etc was a seller of new books, not second-hand, but at this stage in its retail life it looked like one of those shops where only the owner knows where to find a particular book. Of course, here there was just one bored till worker and no-one else around.

I walked past the shop again last night, and it was completely empty. The lights were off, the shelves were empty, and the doors were closed. Another victim of the recession, of the internet, of Amazon?

I’m a massive fan of Amazon (and its ilk), because I buy a lot of books and I like to do so as cheaply as I can. As much as I enjoy going to a bookshop and aimlessly browsing, I find that Amazon’s recommendation engine is a much better way of finding new authors and new books than randomly looking through shelves.

The only time I really use a bookshop is when they have 3 for 2 offers on. And if I paid more attention to the special offers section on Amazon, I’d probably not even do that…

8 months ago, I posted a review of The Girl With The Dragon Tattoo by Stieg Larsson. That was the first of a trilogy, and tonight I just finished reading the final part. It was interesting to go back and read my thoughts on the first book and see how they compare to the trilogy as a whole.

Firstly, the final book as an individual novel was thoroughly gripping, and it kept me hooked from start to finish. There were sufficient levels of twistiness, with the requisite sex and violence thrown in for good measure. Try as he might to avoid it, Larsson just can’t help himself from letting his words quickly turn sexy and dirty very quickly.

The characters from the previous two novels stayed true to form, and in a couple of cases were fleshed out much better. The two main protagonists, Blomkvist and Salander (the eponymous anti-heroine) didn’t really develop too much, but they had such rich textures from the preceding pages that this was unnecessary. You knew what to expect from them, and they delivered.

One of the new characters is a fitness-freak policewoman, and it is on her that Larsson seems to get a little carried away with his descriptions. He positively drools over her muscled frame and athletic build, and it struck me as I was reading that this was the second crime/thriller trilogy I’d read in which the author introduces a physically strong female character in the final book.

Thomas Harris did the same trick in Hannibal, with the character Margot. Admittedly, the policewoman here isn’t a full-on bodybuilder like Margot, but repeated reference is made to her muscle tone and the fact that she is stronger than most men. Is it the case that these authors can’t write a more normal female character, or is it that they have a bit of a fetish for this type of woman?

Speaking of fetishisation, it’s pretty clear that Blomkvist is the ideal which Larsson wants to be. Larsson (before his untimely death) was an investigative journalist, just like Blomkvist, and it has to be said that Blomkvist really doesn’t have any negative qualities to his character. He’s dedicated to his work, steadfastly loyal, and an absolute ladies man. It really is a superhero-esque role of sorts.

I can’t really say that there were any characters I actively disliked in terms of their portrayals. Yes, of course there were “baddies”, but they were pretty well-rounded too. In most of them, you could see their dilemmas in deciding to go through with certain actions, and there weren’t too many single-minded cold-blooded individuals.

What can I say about the plot without giving too much away? Well, it very much is an immediate follow-on from The Girl Who Played With Fire, much more so than that was from the first book, and it deals heavily with events in that part of the trilogy. Even 500 pages in, it’s still making huge references to the second book, which is always satisfying when you’ve invested so much time in the characters and plot.

I felt that the resolution of so many plot lines was done very well, and there weren’t really any loose threads by the time I finished reading. And Larsson does an equally good job of keeping you on your toes with a few twists here and there.

Even in the sections where you already know how it’s going to turn out, the writing is of sufficiently high quality to keep you locked in and enjoying it. It’s mostly dialogue which does this task, although his descriptions of the fast-moving action scenes are equally good.

It’s not going to be too long before Hollywood snaps this up, although I understand that a film of the first book has been made in Swedish already. I really hope that the films remain in Sweden, as the country itself is a huge part of the novels, particularly this last one. I can see how certain US institutions and bodies would fulfil similar roles, but it just wouldn’t work overall, I feel.

This trilogy has been criticised as being a bit light, or a bit cheesy, but I have to disagree. These books are nothing like that Dan Brown crap. Yes, they are crime thrillers, but the writing is so much better than Brown’s, and the themes dealt with are much more interesting.

It sounds horrible to say, given that the author died before the trilogy’s publication, but I’m glad that there won’t be a fourth novel in the “trilogy”, as happened with Night Watch. The final novel there was the weakest by a mile, and really left a bit of a sour taste in the mouth, whereas here Larsson has gone out on a high.

8 months ago, I posted a review of The Girl With The Dragon Tattoo by Stieg Larsson. That was the first of a trilogy, and tonight I just finished reading the final part. It was interesting to go back and read my thoughts on the first book and see how they compare to the trilogy as a whole.

Firstly, the final book as an individual novel was thoroughly gripping, and it kept me hooked from start to finish. There were sufficient levels of twistiness, with the requisite sex and violence thrown in for good measure. Try as he might to avoid it, Larsson just can’t help himself from letting his words quickly turn sexy and dirty very quickly.

The characters from the previous two novels stayed true to form, and in a couple of cases were fleshed out much better. The two main protagonists, Blomkvist and Salander (the eponymous anti-heroine) didn’t really develop too much, but they had such rich textures from the preceding pages that this was unnecessary. You knew what to expect from them, and they delivered.

One of the new characters is a fitness-freak policewoman, and it is on her that Larsson seems to get a little carried away with his descriptions. He positively drools over her muscled frame and athletic build, and it struck me as I was reading that this was the second crime/thriller trilogy I’d read in which the author introduces a physically strong female character in the final book.

Thomas Harris did the same trick in Hannibal, with the character Margot. Admittedly, the policewoman here isn’t a full-on bodybuilder like Margot, but repeated reference is made to her muscle tone and the fact that she is stronger than most men. Is it the case that these authors can’t write a more normal female character, or is it that they have a bit of a fetish for this type of woman?

Speaking of fetishisation, it’s pretty clear that Blomkvist is the ideal which Larsson wants to be. Larsson (before his untimely death) was an investigative journalist, just like Blomkvist, and it has to be said that Blomkvist really doesn’t have any negative qualities to his character. He’s dedicated to his work, steadfastly loyal, and an absolute ladies man. It really is a superhero-esque role of sorts.

I can’t really say that there were any characters I actively disliked in terms of their portrayals. Yes, of course there were “baddies”, but they were pretty well-rounded too. In most of them, you could see their dilemmas in deciding to go through with certain actions, and there weren’t too many single-minded cold-blooded individuals.

What can I say about the plot without giving too much away? Well, it very much is an immediate follow-on from The Girl Who Played With Fire, much more so than that was from the first book, and it deals heavily with events in that part of the trilogy. Even 500 pages in, it’s still making huge references to the second book, which is always satisfying when you’ve invested so much time in the characters and plot.

I felt that the resolution of so many plot lines was done very well, and there weren’t really any loose threads by the time I finished reading. And Larsson does an equally good job of keeping you on your toes with a few twists here and there.

Even in the sections where you already know how it’s going to turn out, the writing is of sufficiently high quality to keep you locked in and enjoying it. It’s mostly dialogue which does this task, although his descriptions of the fast-moving action scenes are equally good.

It’s not going to be too long before Hollywood snaps this up, although I understand that a film of the first book has been made in Swedish already. I really hope that the films remain in Sweden, as the country itself is a huge part of the novels, particularly this last one. I can see how certain US institutions and bodies would fulfil similar roles, but it just wouldn’t work overall, I feel.

This trilogy has been criticised as being a bit light, or a bit cheesy, but I have to disagree. These books are nothing like that Dan Brown crap. Yes, they are crime thrillers, but the writing is so much better than Brown’s, and the themes dealt with are much more interesting.

It sounds horrible to say, given that the author died before the trilogy’s publication, but I’m glad that there won’t be a fourth novel in the “trilogy”, as happened with Night Watch. The final novel there was the weakest by a mile, and really left a bit of a sour taste in the mouth, whereas here Larsson has gone out on a high.

Spotted on the train this afternoon: 45ish year-old woman reading The Game.

Was she trying to spot the techniques that guys may be using on her? Trying to use those techniques herself? I’m so confused.

About

Londoner, thinking and writing far too much about far too many random things. Wannabe photo-/videographer of my life. More likely to be found propping up a bar somewhere.

I also write about football.

This mess is powered by Tumblr, on which there are many things I like. You can also ask me anything.

RSS | Archives | Random

Contact

Twitter

Tags

Type: text, photo, photoset, picture, video, audio, link, quote, chat, reblog, question, ask me anything
Style: ranting, random, happy, funny, cynicism, meme, review, rambling, list
Self: self reference, self portrait, self made, self mocking, self flattery, self confidence, introspection, gpoyw
People:
girlfriend, family, sister, parents, friends, relationships, ex, housemates
Happenings: drinking, work, party, bed talk, sleep, sex, travel, holiday
Culture: internet, music, food, twitter, films, books, comedy, tv, news,
Subjects: london, money, media, newspapers, drugs, celebs, politics,
Sport: sport, football, arsenal, rugby, athletics, gym, exercise
Random: dirty old man, swearing,
Meta: tumblr, tumbling about tumbling, tumblr crush, blogging, tumblr people