Rob, Rambling - A lot of things interest me...

You can prove anything with statistics, they say. An apt example is the Edinburgh Festival’s crowing this week about the highest ticket sales in the event’s history, an astounding 1.95m tickets this summer.

(Unfortunately, this year none of those tickets were mine, as I didn’t have time to get up there, but I’ll be going again next year. I’ve had such a blast over the last couple of years that I’m disappointed not to have had the time this August to have even just a few days in Edinburgh. It’s a crazy place, and just buzzing 24/7.)

Anyways, what the press release and subsequent media coverage failed to point out, is that whilst ticket sales were up by 5%, the average number of tickets sold per performance had dropped off quite dramatically:

  • In 2009, ticket sales were 1.85m for 32,000ish performances. That works out as 57.8 tickets sold per performance.

  • In 2010, ticket sales were 1.95m for 40,000ish performances. That works out as 48.8 tickets sold per performance.

That looks like a fall of just over 15% in average attendance per show, which doesn’t exactly strike me as a blinding success.

The sheer growth in terms of the number of performers and shows is what accounts for the growth in ticket sales as a whole, but each individual performance is actually seeing a reduction in ticket sales, which in turn is making it harder for productions to break even.

Of course, the Edinburgh festival organising committee wants to put a positive spin on things, and it’s just a shame that none of the journalists writing about the festival’s ticket sales have done any simple maths to show that all might not be quite as rosy as is claimed…

The release today by Wikileaks of a huge bundle of documents relating to coalition forces’ activities in Afghanistan is a massive news story, and I’m expecting to see quite a few revelations over the coming weeks as more and more digging is done into the 90,000 documents.

Three news organisations got the jump on everybody else: The Guardian, The New York Times, and Der Spiegel, and the coverage is already pretty impressive.

What’s amusing me, however, is the criticism directed at Wikileaks for the release of the documents. The White House came right out and said that Wikileaks was “irresponsible” in its actions, and the UK government has “lamented” the fact that the leak happened.

But, as Jay Rosen (media professor at NYU) points out in a really fantastic summary of the events, the White House has also said that it contains nothing new. Why, then, does it endanger national security?

If government policy has changed since the events contained in these files, surely the public should be aware of the facts that guided that change in policy?

Rosen’s post also has a great point about how Wikileaks is changing the playing field for both journalism and whistleblowers. Some have criticised Wikileaks for their agenda, or have said that they don’t practise journalism.

For me, Wikileaks really is “new media” in the truest sense of an over-used phrase. It has taken a source, protected their identity, yet disseminated their information to a much wider audience. If that isn’t journalism, I don’t know what is!

It’s really worth reading Rosen’s post to understand what it is that Wikileaks is achieving, day by day and also with the big exposes like today’s. People want transparency, and they don’t believe that they’re getting it from their governments and the companies that operate in their country. Wikileaks (and similar journalistic efforts) are vital.

The girlfriend’s interviewing William Hague (Shadow Foreign Secretary and ex-leader of the Tory party) this evening, and is struggling to come up with any questions for him. Ideally, they’ll be related to the area of South London which she covers, but I’ve also pointed her in the direction of David Cameron’s promise/unpromise of a referendum on the EU Lisbon Treaty.

Other subjects include knife crime (it’s a bad part of London), and more general immigration issues. I can’t really think of much else, and it’s only a 15-minute interview anyway, to be honest.

Any other ideas?

Fucking hell, even Gawker is parroting this Demi Moore/Sarah Brown twitter nonsense now.

Is there seriously such pressure on to get stories published that research just doesn’t happen in modern journalism? I’m at work myself (admittedly on a slow day), but I had time to look up the source of this story and was able to check the facts. It’s really not that fucking difficult.

Sorry, but this genuinely annoys me. It’s not the whole old/new media thing, nor is it about Twitter.

It’s about sheer fucking laziness on the part of journalists who would rather repeat something almost verbatim than bother to go and check the fucking facts them-fucking-selves.

It’s about the rush to get something out there so that people see it, and see the surrounding adverts, rather than making sure that something is true, or accurate. It’s about not wanting to be left behind or usurped by a rival.

It’s about the race to the bottom in terms of journalism, wanting everything faster and cheaper, and the accuracy of the “news” can simply go fuck itself.

And it’s really, really fucking depressing.

Silly season really has started in the British media, with the lack of political and business news forcing newspapers to fill their pages during the summer months with drivel and nonsense.

Of course, this means that they are more at risk of printing PR thinly masquerading as news, and providing free advertising space to companies that would otherwise have to pay top dollar for the reams of press coverage they’re getting for free.

And with journalism budgets at an all-time low, advertising revenues falling through the floor, and morale fading by the second, you would’ve thought that newspapers would be loathe to grant anyone free advertising.

And yet they persist with this kind of twaddle that I spotted on the Guardian’s website this morning: “Alton Towers bans men in Speedos”.

Seriously, this has been given news coverage on what is supposedly a quality newspaper’s website. It really is a new low.

Whilst the sub-heading calls it a “barely concealed grope for August publicity”, the article is giving it that bloody publicity!!! The article barely mentions that this story comes direct from Alton Towers themselves, or that the quotes therein are straight from the press release.

How do I know this? Because every other goddamn news outlet has the exact same quotes. See for yourself with a couple of searches. The actual press release isn’t up on either the Alton Towers site or that of its parent company Tussauds, which incidentally owns the eponymous waxworks museum and loads of other venues.

This journalist didn’t bother to chase the story, or to question it. She’s basically put the press release into print with barely a critical or analytical word. It’s an example of what Nick Davies calls “churnalism”, where press releases are used as the basis of a “news” story and then nothing of value is added.

The claims made in the press release go unchecked, and these companies are able to get their message into what looks like a valid news story rather than an advert. And let’s not kid ourselves; every single piece of PR is trying to sell you something. But hidden under the veil of a story, the public is more responsive to the message than a full-on advertisement.

And that’s why the media needs to be a lot more careful with what they put in their newspapers, especially during silly season. And readers need to be a whole lot more sceptical about every single news story they read which mentions a company, because that company is only trying to take our money.

I’ve just been sorting out some work experience for a mate’s sister at my girlfriend’s newspaper, which seems to have been successful.

Unfortunately, in the media (as with so many other industries) it’s all about who you know when trying to get your foot in the door. Ability seems to count so much less than random cases of patronage or favours.

It’s one of those areas where you have no choice but to play the game, even if it pains you to do so.

I finished Bad Science by Ben Goldacre yesterday, and I have to say that it’s probably the best book I’ve read so far this year. It’s simply brilliant.

Goldacre is a practising doctor in the NHS, but is also a columnist for the Guardian newspaper and his own website, badscience.net, which he uses to pick apart other newspaper articles on the subject of science.

Rather than a collection of past columns, which I was half-expecting, this is an entirely new book and written as one, in that it references backwards and forwards in the text to things that are covered elsewhere.

The subject material is media coverage of science in general, and in particular its coverage of pseudomedical treatments/cures. Goldacre criticises the media for simply not understanding the science behind most of their stories, and for not bothering to read the actual peer-reviewed trial results in academic publications.

Indeed, that is if there are any published results. So many articles seem to be based on press releases from “scientists” who claim to have produced stunning datasets which completely contradict existing scientific theories, but then fail to show how these results came about, even years later.

Goldacre does become a bit one-track in this, repeating the questions over and over again: “where is this data published? Is it in a scientific journal where it can be examined and criticised?” But you can forgive him this, because it is these simple questions that most journalists fail to ask, every time.

Goldacre is an angry writer on this subject. When I read Gomorrah last month, it was by an equally angry author, but I felt that his anger tainted the writing somewhat. The narrative was a bit disjointed, and he just wanted to name and shame people.

In Bad Science, Goldacre is equally eager to name and shame those who commit these crimes against journalism, but it’s in a more measured approach as he deconstructs exactly why they failed to write clearly or accurately. He also tears apart the celebrity “scientists” such as nutritionist Gillian McKeith, showing how their attempts to claim that their actions/theories are scientific are in fact complete tripe.

Whilst Goldacre’s anger comes through in the text, so does his willingness to inform the public of the methods they should be using to examine science in the media. He writes that the sole intention of his book is to give the reader the skills to call bullshit when reading a newspaper, and to give clear reasons why the story in question is at best inaccurate and at worst a total crock of shit.

He does so brilliantly. I feel so much cleverer after reading this book, even if I did consider myself to be an ultra-cynical consumer of the media beforehand. It’s simply incredible how often the media get it wrong when it comes to science stories, or chooses to extrapolate from a single data point to something which is neither claimed nor proved by the data as a whole.

Goldacre reserves his strongest ire for generalist journalists who consider themselves to be cleverer than the scientists, and so re-interpret any data with which they are presented. Admittedly, his caricaturing of them all as humanities graduates is a little heavy-handed and unnecessary, but you can see why he does it.

I can’t recommend this book enough for anyone that has even a passing interest in the media, science, medicine, “miracle cures” and how they interact. This should be prescribed reading for classrooms.

I finished Bad Science by Ben Goldacre yesterday, and I have to say that it’s probably the best book I’ve read so far this year. It’s simply brilliant.

Goldacre is a practising doctor in the NHS, but is also a columnist for the Guardian newspaper and his own website, badscience.net, which he uses to pick apart other newspaper articles on the subject of science.

Rather than a collection of past columns, which I was half-expecting, this is an entirely new book and written as one, in that it references backwards and forwards in the text to things that are covered elsewhere.

The subject material is media coverage of science in general, and in particular its coverage of pseudomedical treatments/cures. Goldacre criticises the media for simply not understanding the science behind most of their stories, and for not bothering to read the actual peer-reviewed trial results in academic publications.

Indeed, that is if there are any published results. So many articles seem to be based on press releases from “scientists” who claim to have produced stunning datasets which completely contradict existing scientific theories, but then fail to show how these results came about, even years later.

Goldacre does become a bit one-track in this, repeating the questions over and over again: “where is this data published? Is it in a scientific journal where it can be examined and criticised?” But you can forgive him this, because it is these simple questions that most journalists fail to ask, every time.

Goldacre is an angry writer on this subject. When I read Gomorrah last month, it was by an equally angry author, but I felt that his anger tainted the writing somewhat. The narrative was a bit disjointed, and he just wanted to name and shame people.

In Bad Science, Goldacre is equally eager to name and shame those who commit these crimes against journalism, but it’s in a more measured approach as he deconstructs exactly why they failed to write clearly or accurately. He also tears apart the celebrity “scientists” such as nutritionist Gillian McKeith, showing how their attempts to claim that their actions/theories are scientific are in fact complete tripe.

Whilst Goldacre’s anger comes through in the text, so does his willingness to inform the public of the methods they should be using to examine science in the media. He writes that the sole intention of his book is to give the reader the skills to call bullshit when reading a newspaper, and to give clear reasons why the story in question is at best inaccurate and at worst a total crock of shit.

He does so brilliantly. I feel so much cleverer after reading this book, even if I did consider myself to be an ultra-cynical consumer of the media beforehand. It’s simply incredible how often the media get it wrong when it comes to science stories, or chooses to extrapolate from a single data point to something which is neither claimed nor proved by the data as a whole.

Goldacre reserves his strongest ire for generalist journalists who consider themselves to be cleverer than the scientists, and so re-interpret any data with which they are presented. Admittedly, his caricaturing of them all as humanities graduates is a little heavy-handed and unnecessary, but you can see why he does it.

I can’t recommend this book enough for anyone that has even a passing interest in the media, science, medicine, “miracle cures” and how they interact. This should be prescribed reading for classrooms.

it keeps the news flowing at quiet times, like summer, with desk-chained hacks slightly re-writing the same old hackneyed shit written by people who are much less talented yet better paid than they are.

From a post on The enemies of reason about churnalism in the media and how the summer especially seems to be an endless flow of rewritten (if we’re lucky) press releases on inane subjects.

It’s true when it speaks of PR people being overpaid in comparison to the journalists who get their material out to a wider audience. I’m only 24, yet I already know of a few people who have left journalism behind in favour of a better salary in PR.

I’m sort of a hypocrite on that front, as I was a business journalist who got poached/saw the light and crossed over the fence to work in the industry that I used to write about.

But at least I’m not in PR.

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Londoner, thinking and writing far too much about far too many random things. Wannabe photo-/videographer of my life. More likely to be found propping up a bar somewhere.

I also write about football.

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